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Hello My Friend Good to See You Again Stanley Clarke

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American bassist

Stanley Clarke
Stanley Clarke at Leverkusener Jazztage (Germany), November 7, 2016

Stanley Clarke at Leverkusener Jazztage (Frg), November 7, 2016
Background information
Built-in (1951-06-30) June 30, 1951 (age seventy)
Philadelphia, Pennsylvania, U.Due south.
Genres Jazz, jazz fusion, funk, rock, R&B
Occupation(s) Musician, composer
Instruments Double bass, bass guitar
Years active 1966–present
Labels Nemperor, Ballsy, Heads Up, Mack Avenue, Elektra
Website stanleyclarke.com

Musical artist

Stanley Clarke (born June 30, 1951) is an American bassist, film composer and founding fellow member of Return to Forever, 1 of the first jazz fusion bands. Clarke gave the bass guitar a prominence it lacked in jazz-related music. He is the first jazz-fusion bassist to headline tours, sell out shows worldwide and accept recordings reach gold status.[1] [2] [three]

Clarke is a 5-time Grammy winner, with 15 nominations, 3 as a solo creative person, 1 with the Stanley Clarke Ring, and 1 with Return to Forever.[4] [five] Clarke was selected to become a 2022 recipient of the National Endowment for the Arts Jazz Masters Fellowship.[vi]

A Stanley Clarke electric bass is permanently on display at the National Museum of African American History and Culture in Washington, D.C.[vii] [eight] [1]

Music career [edit]

Early on years [edit]

Clarke with Return to Forever, Onondaga Community College, Syracuse, New York, 1974

Clarke was born on June thirty, 1951 in Philadelphia.[9] His female parent sang opera around the house, belonged to a church choir, and encouraged him to study music.[10] He started on accordion, then tried violin.[11] But he felt awkward holding such a small instrument in his big hands when he was twelve years sometime and over six feet tall. No ane wanted the acoustic bass in the corner, so he picked it upwards.[12] He took lessons on double bass at the Settlement Music Schoolhouse in Philadelphia, outset with five years of classical music. He picked upward bass guitar in his teens and so that he could perform at parties and imitate the rock and popular bands that girls liked.[10]

Clarke attended the Philadelphia Musical University (afterwards known every bit the Philadelphia Higher of the Performing Arts, and ultimately as the Academy of the Arts, afterwards having merged with the Philadelphia Higher of Art) and afterward graduating moved to New York City in 1971.[13] His recording debut was with Curtis Fuller. He worked with Joe Henderson and Pharoah Sanders, and then in 1972 with Stan Getz, Dexter Gordon, and Art Blakey, followed past Gil Evans, Mel Lewis, and Horace Silver.[eleven]

Render to Forever (band) [edit]

Clarke intended to become the first blackness musician in the Philadelphia Orchestra until he met jazz pianist Chick Corea.[xiv] At the fourth dimension, Corea was working with Stan Getz putting together a new bankroll band for him and writing music for the group; these pieces start surfaced on two albums recorded in February/March 1972 in New York, Captain Marvel (credited to Getz, released in 1974) and Return to Forever (credited to Corea, issued in Europe in 1972). Clarke'south playing and improvising was prominent on both albums; the band likewise played a couple of gigs with Getz in Europe. At this early stage, the band equally separate from Getz was more often than not a studio side projection, but the members soon realized that it had potential as a regular live band, and so the band Return to Forever had been born.

The start edition of Return to Forever performed primarily Latin-oriented music and used only audio-visual instruments (except for Corea'due south Fender Rhodes piano). This ring consisted of singer Flora Purim, her husband Airto Moreira (both Brazilians) on drums and percussion, Corea's longtime musical co-worker Joe Farrell on saxophone and flute, and Clarke on bass. Their first anthology, titled Return to Forever, was recorded for ECM Records in 1972. The second album, Calorie-free as a Plumage (1973), was released by Polydor and included the song "Spain".[15] [16]

After the second album, Farrell, Purim and Moreira left the grouping to form their ain ring, and guitarist Nib Connors, drummer Steve Gadd and percussionist Mingo Lewis were added. Lenny White (who had played with Corea in Miles Davis'south band) replaced Gadd and Lewis on drums and percussion, and the group'due south third album, Hymn of the 7th Galaxy (1973), was released.

Fusion was a combination of rock and jazz which they helped develop in the early 1970s. Clarke was playing a new kind of music, using new techniques, and giving the bass guitar a prominence it lacked. He drew attention to the bass guitar as a solo instrument that could be melodic and dominant in add-on to being part of the rhythm section.[17] For helping to bring the bass guitar to the front of the ring, Clarke cites Jaco Pastorius, Paul McCartney, Jack Bruce, and Larry Graham.[18]

After Return to Forever's 2nd album, Light every bit a Plume, Clarke received job offers from Neb Evans, Miles Davis, and Ray Manzarek of the Doors, but he remained with Return to Forever until 1977.[18] During the early 1980s, he toured with Corea and Return to Forever, then worked with Bobby Lyle, Eliane Elias, David Benoit and Michel Petrucciani. He toured in a band with Herbie Hancock and Wayne Shorter in 1991. In 1998 he founded Superband with Lenny White, Larry Carlton, and Jeff Lorber.

Solo [edit]

Corea produced Clarke's commencement solo album, Children of Forever (1973), and played keyboards on it with guitarist Pat Martino, drummer Lenny White, flautist Art Webb, and vocalists Andy Bey and Dee Dee Bridgewater. Clarke played double bass and bass guitar.[19]

Clarke'southward second cocky-titled anthology Stanley Clarke (1974) featured Tony Williams on Drums, Bill Connors - Electric Guitar, Acoustic Guitar, and Jan Hammer - Synthesizer [Moog], Electric Piano, Organ, Piano [Acoustic].

While on bout, British guitarist Jeff Beck was performing the song "Power" from that album, and this was the impetus for their meeting and Brook's introduction to Hammer. They toured together, and Beck appeared on some of Clarke's albums, including Journey to Love (1975)[20] and Modernistic Man (1978).[21]

The album Schoolhouse Days (Epic, 1976) brought Clarke the most attending and praise he had received so far. With its memorable riff, the title vocal became so revered that fans chosen out for it during concerts.[18] [22]

Stone and funk [edit]

Clarke has spent much of his career outside jazz. In 1979, Ronnie Wood of the Rolling Stones formed the New Barbarians with Clarke and Keith Richards.[23] Two years later, Clarke and keyboardist George Duke formed the Clarke/Duke Project, which combined pop, jazz, funk, and R&B. They met in 1971 in Republic of finland when Duke was with Cannonball Adderley. They recorded together for the first fourth dimension on Clarke'south anthology Journey to Dearest. Their showtime anthology independent the single "Sweet Baby",[24] [25] which became a Pinnacle twenty pop striking. They reunited for tours during the 1990s[11] and the 2000s.[24]

Clarke joined swain bassist Paul McCartney in 1981 to play bass on McCartney's 1982 & 1983 releases Tug of State of war [26] & Pipes of Peace.[27] [28] [29]

The Stanley Clarke Ring [edit]

The Stanley Clarke Band is an American jazz band led past Clarke. He founded the band in 1985, with Ruslan Sirota, Shariq Tucker, Cameron Graves, Beka Gochiashvili, Salar Nader,and Evan Garr. They released the album Find Out!. With a new grouping, The Stanley Clarke Band released the anthology The Stanley Clarke Band which won the 2011 Grammy Award for Best Contemporary Jazz Anthology.[thirty] Their album The Message was released in 2018.[31]

Career [edit]

The band's first anthology Find Out! was recorded at Sunset Sound Studios and was released in 1985 past Sony. With a band composed of Stanley Clarke on bass, Ronald Bruner Jr. on drums, and Ruslan Sirota on keyboards, the Stanley Clarke Band released The Stanley Clarke Band album. It was produced by Lenny White and Stanley Clarke."[32]

The anthology The Stanley Clarke Band won the Grammy Award for Best Contemporary Jazz Album at the 53rd Annual Grammy Awards.[33] Additionally, the rails "No Mystery" was nominated for Best Pop Instrumental Performance.

The Stanley Clarke Band with Clarke, Bruner Jr., and Sirota released The Message [34]

Discography

  • Notice Out! (Sony BMG, 1985)
  • The Stanley Clarke Band (Heads Upwards, 2010)
  • Up (Mack Avenue, 2014)
  • The Bulletin (Mack Avenue, 2018)

Other groups [edit]

In 1988, Clarke and drummer Stewart Copeland of the stone band the Police formed Fauna Logic with singer-songwriter Deborah The netherlands. He and Copeland were friends before the Law formed.[10] Copeland appeared on Clarke's album Upward (Mack Artery, 2014).[35]

In 2014 Clarke was invited on phase with Primus during their "Primus And The Chocolate Manufacturing plant" tour featuring other guest appearances from Stewart Copeland and Danny Carey of Tool to perform the Primus classic "Hither Come up The Bastards" with Clarke and Les Claypool having a shred bass duel midway.

In 2020 Clarke was invited equally a teacher at a Bass Bootcamp hosted by bassist Gerald Veasley. The camp was hosted in Philadelphia where bassists of all ages were taught and featured many educators and professionals such every bit Richard Waller, Rob Smith, Freekbass, Michael Manring, and more. Unfortunately the camp was delayed and moved to 2021 due to the COVID-nineteen pandemic.

Other jazz groups [edit]

In 2005, Clarke toured every bit Trio! with Béla Flake and Jean-Luc Ponty.[36] [37] Clarke and Ponty had worked in a trio with guitarist Al Di Meola in 1995 and recorded the album The Rite of Strings.[38] They worked in a trio again in 2012 with guitarist Biréli Lagrène and two years later on recorded D-Stringz (Impulse!, 2015).[ix]

In 2008, Clarke formed SMV with bassists Marcus Miller and Victor Wooten and recorded the album Thunder.[39] [40] [41]

In 2009 he released Jazz in the Garden, featuring the Stanley Clarke Trio with pianist Hiromi Uehara and drummer Lenny White. The following year he released the Stanley Clarke Band, with Ruslan Sirota on keyboards and Ronald Bruner, Jr. on drums; the album also features Hiromi on pianoforte.[42]

His album Up, released in 2014, has enlisted an all-star cast in his musical ensemble, including former Render to Forever bandmate Chick Corea on pianoforte, with drummer Stewart Copeland (The Police) and guitarist Jimmy Herring (Widespread Panic), among others.[43]

In 2018, Clarke released The Message, featuring the new Stanley Clarke Band with Cameron Graves on synthesizers, pianist Beka Gochiashvili, and drummer Mike Mitchell. The anthology also features rapper/beatboxer Doug E. Fresh and trumpeter Mark Isham.[44] [45]

In 2019, The Stanley Clarke Band has transformed again every bit Clarke, Cameron Graves, and Beka Gochiashvili were joined by Shariq Tucker on Drums, Salar Nader on Tabla, and Evan Garr on Violin.[46]

Television and movies [edit]

Clarke has written scores for television set and movies. His first score, for Pee-wee'due south Playhouse, was nominated for an Emmy Honour. He likewise equanimous music for the movies Boyz n the Hood, Passenger 57, and What's Love Got to Do with It,[13] the idiot box programs Lincoln Heights and Soul Nutrient, and the video for "Call up the Time" by Michael Jackson.[40]

In 2007, Clarke released the DVD Night School: An Evening of Stanley Clarke and Friends, a concert that was recorded in 2002 at the Musicians' Institute in Hollywood. Clarke plays both acoustic and electric bass and is joined past guests Stewart Copeland, Lenny White, Béla Fleck, Shelia Eastward., and Patrice Rushen.[47]

Clarke's Television receiver and movie music contribution tin be constitute in Soul Food (2000-2004), Static Shock (2000-2004), Kickoff Sunday (2008), Soul Men (2008), The All-time Homo Holiday (2013), and Barbershop: The Next Cut (2016).[48] [49] [50] [51]

His latest score limerick work was for the documentary motion picture Halston (2019), directed by Frédéric Tcheng.[52] [53] The film tells the extraordinary story of the life and death of the American fashion designer, Roy Halston Frowick.

Record label [edit]

In 2010, Clarke founded Roxboro Entertainment Group in Topanga, California. He named it after the high school that he attended in the 1960s. The label's kickoff releases were by guitarist Lloyd Gregory and composer Kennard Ramsey. Roxboro's roster besides includes keyboardist Sunnie Paxson, pianist Ruslan Sirota, and pianist Beka Gochiashvili.[54]

Electrical bass technique [edit]

When playing electric bass, Clarke places his right hand and so that his fingers arroyo the strings much every bit they would on an upright bass, simply rotated through xc degrees. To accomplish this, his forearm lies above and well-nigh parallel to the strings, while his wrist is hooked downward at nearly a right angle. For lead and solo playing, his fingers partially hook underneath the strings so that when released, the strings snap against the frets, producing a biting percussive attack. In addition to an economical variation on the funky Larry Graham-style slap-n'-pop technique, Clarke also uses downward thrusts of the entire right manus, hitting two or more strings from above with his fingernails (examples of this technique include "School Days", "Rock and Scroll Jelly", "Wild Dog", and "Danger Street").[55] [56] [57] [58] Clarke has been playing Alembic short scale basses since 1973. Alembic also manufactures a series Stanley Clarke Signature Bass models.

Awards and honors [edit]

Grammy Awards [edit]

Year Nominee/work Category Result
1976 No Mystery (Rails) All-time Jazz Performance by a Grouping Won
1977 Life is Just A Game (Rails) Best Instrumental System Nominated
1979 Mod Man (Album) Best R&B Instrumental Operation Nominated
1982 The Clarke/Duke Project (Album) Best R&B Functioning by a Duo or Grouping with Vocals Nominated
1985 Time Exposure (Runway) Best R&B Instrumental Performance Nominated
1987 Charmed (Track) Best Pop Instrumental Performance Nominated
The Boys Of Johnson Street (Runway) Best R&B Instrumental Operation Nominated
2004 Where Is The Dearest (Runway) All-time R&B Functioning past a Duo or Group with Vocals Nominated
2011 The Stanley Clarke Band (Album) All-time Contemporary Jazz Album Won
No Mystery (Runway) All-time Pop Instrumental Performance Nominated
2012 Forever (Anthology) All-time Jazz Instrumental Album Won
2015 Concluding Train To Sanity (Track) Best Instrumental Limerick Nominated

[59]

Latin Grammy Awards [edit]

Clarke received the Latin Grammy for Best Instrumental Album in 2011 at the 12th Annual Latin Grammy Awards for the album "Forever", along with Chick Corea and Lenny White.[threescore]

Other honors [edit]

  • Lifetime Accomplishment Award, Bass Player, 2006[61]
  • Honorary doctorate in fine arts, The University of the Arts, 2008[62]
  • Honorary Doctorate in Music, Musicians Institute, 2009[63]
  • Miles Davis Award, 2011[64]
  • NEA Jazz Master Fellowship, 2021[six]

Discography and filmography [edit]

References [edit]

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  2. ^ "Stanley Clarke Lets His Bass Do the Talking in Solo Album". Los Angeles Times. 1988-07-29. Retrieved 2020-04-14 .
  3. ^ "BOYZ N THE HOOD 25th Anniversary Celebration and Chat". Oscars.org | Academy of Movement Pic Arts and Sciences. 2016-05-18. Retrieved 2020-04-14 .
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  6. ^ a b "Stanley Clarke National Endowment for the Arts". Arts.gov . Retrieved 2021-08-30 .
  7. ^ "Stanley Clarke Signature Standard four String Bass". National Museum of African American History and Culture . Retrieved 2020-04-fourteen .
  8. ^ "The Stanley Clarke Ring". GRAMMY.com. 2019-eleven-19. Retrieved 2020-04-14 .
  9. ^ a b Yanow, Scott. "Stanley Clarke". AllMusic . Retrieved 12 September 2017.
  10. ^ a b c Meeker, Ward (two February 2016). "Stanley Clarke". Vintage Guitar . Retrieved 17 September 2017.
  11. ^ a b c Collins, Catherine; Kernfeld, Barry (2002). Kernfeld, Barry (ed.). The New Grove Dictionary of Jazz. Vol. ane (second ed.). New York: Grove's Dictionaries. p. 453. ISBN1-56159-284-6.
  12. ^ Gordon, Ed (5 July 2005). "Jazz Bassist Stanley Clarke". Npr.org . Retrieved x September 2018.
  13. ^ a b Hobart, Mike (17 June 2016). "Interview: Bass Player Stanley Clarke". Financial Times . Retrieved 18 September 2017.
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  16. ^ Ratliff, Ben (2008-08-08). "Returning to Forever, or at Least a Heyday". The New York Times. ISSN 0362-4331. Retrieved 2020-04-21 .
  17. ^ Deriso, Nick (29 February 2012). "Something Else! Interview: Bass-playing jazz legend Stanley Clarke". Somethingelsereviews.com . Retrieved 17 September 2017.
  18. ^ a b c Prassad, Anil (1998). "Back to Basics". Innerviews.org . Retrieved eighteen September 2017.
  19. ^ Jurek, Thom. "Children of Forever". AllMusic . Retrieved eighteen September 2017.
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  21. ^ Inc, Nielsen Business concern Media (1978-08-05). Billboard. Nielsen Business Media, Inc.
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  23. ^ Browne, David (16 February 2017). "New Barbarians: Within Rolling Stones' Wild Seventies Spin-Off". Rolling Stone . Retrieved 29 October 2017.
  24. ^ a b Clarke, Stanley (24 March 2014). "Stanley Clarke Remembers George Knuckles". JazzTimes . Retrieved 19 September 2017.
  25. ^ Kohlhaase, Bill (17 July 1990). "2 Musicians With a Meeting of the Minds". Los Angeles Times . Retrieved 19 September 2017.
  26. ^ Gallucci, Michael. "How Paul McCartney Tapped Into a Storied Past With 'Tug of War'". Ultimate Classic Rock . Retrieved 2020-04-21 .
  27. ^ Weiss, Jeff (2017-12-xiv). "Stanley Clarke Is the Reason You Love Music". Vice . Retrieved 2020-04-21 .
  28. ^ "Paul McCartney, "Hey Hey" from 'Pipes of Peace' (1983): One Track Mind". Somethingelsereviews.com. 2015-10-31. Retrieved 2020-04-21 .
  29. ^ "Paul McCartney. Guitar Player Interview". Wingspan.ru . Retrieved 2020-04-27 .
  30. ^ "Contemporary Jazz Albums Chart". Billboard . Retrieved 2020-08-20 .
  31. ^ "Stanley Clarke'due south 'Message' to All: I Can Notwithstanding Jam with the Young Guys". PopMatters. 2018-07-12. Retrieved 2020-08-twenty .
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  33. ^ "The Stanley Clarke Band". GRAMMY.com. 2019-11-19. Retrieved 2020-08-20 .
  34. ^ Jazz, All About. "Stanley Clarke: Stanley Clarke Band: The Bulletin album". All About Jazz . Retrieved 2020-08-20 .
  35. ^ Weber, Carol (5 September 2014). "Bass monster Stanley Clarke picks his friends wisely to go 'Up'". Axs.com . Retrieved 18 September 2017.
  36. ^ "Bela Fleck & The Flecktones - Tickets - Land Theatre of Ithaca - DSP - Ithaca, NY - March 25th, 2020". Stateofithaca.org. 2020-03-25. Retrieved 2020-04-27 .
  37. ^ Jazz, All About. "Dark School: An Evening with Stanley Clarke & Friends article @ All Nearly Jazz". All Most Jazz . Retrieved 2020-04-21 .
  38. ^ Kipnis, Jill (2 July 2005). "Three's Company for Trio!". Billboard. p. 18. Retrieved ten September 2018.
  39. ^ Collar, Matt. "S.Chiliad.V." AllMusic . Retrieved 30 Oct 2017.
  40. ^ a b Berkowitz, Dan (19 July 2011). "Stanley Clarke: A Bass Man and His Upright Desires". Premier Guitar . Retrieved 18 September 2017.
  41. ^ Jazz, All About. "South.G.V.: Thunder anthology review @ All About Jazz". All About Jazz . Retrieved 2020-12-24 .
  42. ^ Concord Music Group. "The Stanley Clarke Band". Retrieved June 28, 2010.
  43. ^ "The Stanley Clarke Band - Up". Blackgrooves.org. 3 January 2015. Retrieved October 15, 2019.
  44. ^ Booth, Philip. "Stanley Clarke Band: The Message (Mack Avenue)". JazzTimes.com . Retrieved October fifteen, 2019.
  45. ^ "Stanley Clarke". Mackavenue.com . Retrieved October 15, 2019.
  46. ^ "Stanley Clarke : Official Website". Stanleyclarke.com . Retrieved October 15, 2019.
  47. ^ Henderson, Alex. "Dark School". AllMusic . Retrieved 18 September 2017.
  48. ^ "'Barbershop: The Next Cut' Score Anthology Details | Film Music Reporter". Retrieved 2020-04-18 .
  49. ^ "Quartet Masters Barbershop". ProSoundNetwork.com. 2016-05-16. Retrieved 2020-04-xviii .
  50. ^ "'Barbershop: The Next Cut': Film Review". The Hollywood Reporter. 12 April 2016. Retrieved 2020-04-xviii .
  51. ^ "Don't Miss Your Engagement For "Barbershop: The Next Cut" – A GLOBAL LIFESTYLE". Retrieved 2020-04-18 .
  52. ^ "Stanley Clarke: Halston - JazzWax". Jazzwax.com . Retrieved 2020-04-18 .
  53. ^ Musician, Bass (2019-06-14). "Original Soundtrack to "Halston" Composed by Jazz Legend Stanley Clarke". Bass Musician Magazine, The Face of Bass . Retrieved 2020-04-18 .
  54. ^ Jackson, Nate (19 March 2011). "Grammy winner Stanley Clarke taps eclectic musicians for his Roxboro push button". Los Angeles Times . Retrieved 17 September 2017.
  55. ^ Vazquez, Jaime (2020-03-09). "Bass Lines: Stanley Clarke – "School Days"". Bass Musician Mag, The Face of Bass . Retrieved 2020-04-21 .
  56. ^ Immature, Celeste Headlee, Trevor. "Bassist Stanley Clarke On Slapping The Strings For 40 Years". Gpbnews.org . Retrieved 2020-04-21 .
  57. ^ "STANLEY CLARKE COLLECTION - HIDDEN". Bassbooks.com . Retrieved 2020-04-21 .
  58. ^ "Stanley Clarke "School Days" electric guitar, pianoforte, bass and drums Sail Music". Jellynote.com . Retrieved 2020-04-21 .
  59. ^ "Stanley Clarke". GRAMMY.com. 2020-11-23. Retrieved 2021-01-01 .
  60. ^ "Latin GRAMMYs". Latin GRAMMYs (in Spanish). Retrieved 2021-01-01 .
  61. ^ "Legendary Bassist Stanley Clarke Honored with Bass Player Lifetime Achievement Honor". PRWeb . Retrieved 2021-01-01 .
  62. ^ "Stanley Clarke to be Honored With Degree". downbeat.com. 2008-04-14. Retrieved 2021-01-01 .
  63. ^ Brown, Corey (April 5, 2009). "Dr. Stanley Clarke". No Treble . Retrieved March i, 2021.
  64. ^ "Jazz & Dejection Florida Dec 2016 Edition". Issuu . Retrieved 2021-01-01 .

External links [edit]

  • Official site
  • Stanley Clarke discography at Discogs Edit this at Wikidata

mitchellwhady1951.blogspot.com

Source: https://en.wikipedia.org/wiki/Stanley_Clarke

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